This anticipates Willys career as a salesman, but also his underused talent for building things with his hands, which might have. Newman refused to accept failure and demanded the appearance of utmost confidence in his household. Newman imagined a continuous competition between his son and Miller. The elder Loman made flutes, and was apparently able to make a good living by simply traveling around the country and selling them. The basis for the dramatic conflict in Death of a Salesman lies in Arthur Miller’s conflicted relationship with his uncle, Manny Newman, also a salesman. "Death of a Salesman II.3 Summary and Analysis". The flute music that drifts through the play represents the single faint link Willy has with his father and with the natural world.
SPARKNOTES DEATH OF A SALESMAN HOW TO
Next Section II.4 Summary and Analysis Previous Section II.2 Summary and Analysis Buy Study Guide How To Cite in MLA Format Ross, Jeremy. The dynamic among the characters has obviously shifted, and Miller's insertion of a flashback at this point foreshadows a later development of the dynamic between the Lomans, Bernard, and Charley. The younger version of Linda enters, and she tells Ben that Willy has a great job in New York. Willy asks him if he has secured the Alaska deal. Act Two (Loman Home, Past): Howard exits and Ben enters, carrying his valise and umbrella. It also reiterates the way in which Bernard remained in Charley's shadow. Death of a Salesman Summary and Analysis of II.3. This segment reestablishes the contentious relationship between Charley and Willy, who is shocked to think that Charley may not be in total awe of Biff's athletic achievements. By this point in the play, Willy's claim that it is "who you know" that counts has been thoroughly disproved, for Willy was fired by a man whom he has known since his birth.īernard and Charley's reappearance in this segment foreshadow their later roles in the play. However, Miller reemphasizes Willy's belief in personal connections as the critical factor in business. She claims that not every man has to conquer the world, perhaps assuming that Willy Loman is not a man capable of doing so. This segment gives some indication that Linda has, in some respects, limited her husband by forcing him to take a more stable path. The reappearance of Ben is symbolic of the dreams Willy Loman has sacrificed for a more secure - and more mundane - existence. Miller once again shifts the setting of the play to an earlier date in order to contrast Willy's present experiences with those of his idealized past.
Willy is insulted when he thinks that Charley forgot about the game. Willy tells Charley that he cannot go to Biff's baseball game because there is no room in the car. Willy prepares to escort them to the championship game. Young Bernard arrives, and begs Biff to let him carry his helmet, but Happy wants to carry it. Willy insists that it is "who you know" that counts, but Ben leaves. She wonders why everybody must conquer the world, and tells Willy that he's well-liked, and that Old Man Wagner promised that Willy would be a member of the firm someday. Howard exits and Ben enters, carrying his valise and umbrella.
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